|
Cornwall and me
Interview feature published in Cornwall Today Magazine Jan 2007 issue.
SCOT JIM CAREY ARRIVED IN CORNWALL AGED 22 IN 1982 AND PUT DOWN ROOTS. NOW SETTLED IN FALMOUTH , JIM COMPOSES, DIRECTS, PRODUCES, RECORDS AND PERFORMS MUSIC FOR EVENTS, THEATRE, RADIO AND FILM. INSPIRED BY THE EDEN PROJECT'S EARLY DAYS, HIS COMPOSITION FIRST BREATH IS NOW AVAILABLE ON CD NATIONWIDE.
You trained in fine art in Glasgow and started out as a painter. Arriving in Cornwall in 1982, what drew you here and made you stay?
After art school I went travelling in Europe with a friend. We teamed up with another performer who told us he was involved with a theatre company just starting up in Cornwall . We developed a street act and, when the money and the beer ran out, we decided to try our luck in Cornwall . In Mevagissey we met up with the embryonic Kneehigh Theatre, and got stuck right in. The work was exciting and innovative and sort of took over our lives. Shortly after arriving in Cornwall I became a family man. I've been here ever since.
Tell us about your family
I have five children from two marriages. There is my wife Claire and Hector, 23, Harry, 22, Beth, 21, Anna, 20, and Seamas, 13.
When did you start to work with music? What took you in this direction?
My parents were great singers. Imagine trying to do your homework at the kitchen table while Janette McDonald and Nelson Eddie did the washing up. We used to go to a lot of rock concerts when we were teenagers. I had been playing and singing in bands since I was 16 and started writing songs at art school.
You're now composing music for Miracle Theatre Company shows and you've had a 10 year collaboration with Kneehigh Theatre as a performer and musical director. Tell us a bit about this work
The last tour I did with Kneehigh Theatre was The Riot in 2000. I also got involved with the company's Three Islands Project, A Very Old Man With Enormous Wings, in Malta in 2003 and Hayle in 2005, so I suppose it's more like 20 years. I have always been fascinated by music and song that tell stories. Creating sounds for theatre or film has set me off on some unusual and interesting musical journeys. I don't tour theatre any more but I still make music for theatre, mostly soundtracks for Miracle Theatre Company. I work closely with the director on style and concept. Again it's the diversity that makes it interesting.
What's in the pipeline?
One of my ongoing projects is Bombrassa (in Cornish, bombraza) which, roughly, means “a big wind.” This is a high-energy foot stomping band consisting of brass, reeds and percussion. There are 12 in the band drawn from a larger pool of musicians. It is the ideal outdoor events band and we hope to be playing festivals this spring and summer. I'm now working on ideas for Miracle Theatre's Taming of the Shrew which will tour this summer. There's also a feature film theme tune to be written. I have plans to create a body of new work from a more personal point of view and hope to collaborate with other writers and musicians.
Tell us about your link with the Eden Project ?
I've worked closely with Eden on various events as a musical director since the opening in 2000. I was commissioned by Eden to produce the 2004 winter season centrepiece event, which had a hugely successful three-month run. I've also directed the music for this year's, and last year's, Time of Gifts season.
What year did you move to Falmouth and what appeals to you about the town?
I moved to Falmouth in 1990. It has a wonderful bay and a good cross section of people. There is a great place called The Seven Stars.
Are there any particularly significant places in Cornwall where you go to find inspiration?
Apart from The Seven Stars, yes. My favourite place is Gwenver. Penwith is very beautiful. We have had most of our camping holidays there since the children were small and I have had the occasional walk on the wild side in search of the muse. |